Archive for October, 2007

Trick or TREAT?

If it’s Halloween – and it is – we have to have a contest.

KISS OF FIRE is the first book in my new trilogy featuring dragon shape shifter heroes. These are contemporary fantasy romances with a bit of a dark twist. Click HERE for the back cover copy and all that good stuff.

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What’s not to love about this cover?

What’s not to love about winning a free copy and getting to read it early?

With spectacular timing, NAL has prepared Advance Reading Copies of KISS OF FIRE and I have them in my hot little hands right now.

KISS OF FIRE will available for sale on February 5, 2008, but you can win an ARC right now. All you have to do is comment on this post and tell me why you should win. Make sure you type your email addy correctly!

(Of course, it’s also available for pre-order already at Amazon.com, if you don’t win.)

I’ll pick a winner at midnight tonight. Good luck!

The Good, the Bad…

and the Unread blog is posting a Halloween Spooktacular Event. From October 29 through the 31st, various authors will make Halloween-related posts and you can win prizes from those authors.

I’ve contributed a fun post on what I’d like to be on Halloween (hint: it has something to do with snagging my own dragon shape shifter hero) that will be posted sometime during these three days. Those who comment on the post are eligible to win an ARC of KISS OF FIRE.

Keep an eye on Sybil’s blog for your chance to win!

Wait for the Midnight Hour

Well, you don’t have to stay up that late. I’ll be guest-blogging all day today at Michelle Rowan’s blog, The Midnight Hour.

I’ve written a blog post about author pseudonyms and why authors use them. There’s a chance for you to share your thoughts and we’ll draw a winner of an ARC of KISS OF FIRE from the comments.

Stop by and say hello!

New Pet Project

For my “pet” dragons (aka the Pyr), of course.

I write a lot of linked series with continuing characters – the more continuing characters, the better, to my point of view, because it makes the world richer – and I always think that I can keep track of them all, in my head, without any trouble.

This delusion lasts for one book. Partway through the second book, as I’m searching the files for the first book for the umpteenth time for a detail I need to reference in book #2 but which I only vaguely recall, I realize that my memory just isn’t up to the job.

I need notes.

Lots of notes.

Integrated notes and detailed notes.

Because it drives me INSANE when there are continuity errors between linked books that I’m reading, I try really really hard to avoid these booboos in my own books.

Thus, this week’s project:

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(This isn’t really a trapezoid binder: I shot the picture at an angle in my ongoing quest to defeat the %$#@*& flash.)

Like it? I do!

A project like this has many attractive qualities:

1/ It creates the illusion (or delusion) of organization

2/ It collects all pertinent data in one handy reference source.

3/ If, perchance, the series sells like gonzo and one day I’m invited to publish a guidebook to my fictional world, the collation work will all be done.

4/ It required office supplies. (I’ve yet to meet a writer who didn’t love buying office supplies – I got faboo funky little coloured tabs for this one AND a perfect fiery orange binder. Be still, my heart.)

So, I’ve written character summaries for dragons good and bad, including their personal history, as well as writing up the rules and the lore for their world. I’ve cut and pasted passages from the books in the series o far, which explain details of the Pyr world – that way, the whole passage will be right there in my reference book, not just a summary of it. I can include page numbers – like citations, to my own work, wooo HOOO! – and quotes and interpretations.

I even have a separate tab – called WHAT IF? – for nifty plot ideas that came to me in passing, which aren’t yet in the schedule to be used. It’s only a matter of time until I do geneologies, since the dragon gene is passed down the male line. There are the details of their traditional weapons, and hints for mastering the elements – as they do – and a section on prophecies. (What is a fantasy world without prophecies?) I have separate sections for specific types of dragons – like the Wyvern – because that lore will grow as I work.

This, with variations, is how I always organize my working notes. I keep a separate file folder on each book, which will include the research notes specific to that book, its chronology, etc. It also holds the synopsis and sample chapter (if any) from the proposal. As I work my way through the series, I’ll keep updating the Great Book so that details pertinent to other dragons will be in one reference.

How do you keep the details of your worlds straight? Do you have a system to share?

Brain Magic

The brain is an incredible machine, but one that (unfortunately) doesn’t come with a user’s manual. We have to figure out things for ourselves. Here’s a neat brain trick that maybe you don’t know. It’s useful for problem solving.

When you’re trying to solve a problem or a riddle or come up with a creative solution, you can seldom do that by thinking hard about the question. What works for algebra doesn’t work for plot tangles.

It’s better if you can think about it sideways.

Here’s an example. Yesterday I worked on the Big Finish for Kiss of Fury. I’ve been working on it all week and I like it, but I don’t love it yet. It’s not quite there. It’s good but not grrrrrrrrrrREAT! I didn’t know what was missing exactly, but something was missing. So, I went through it a couple of times, achieved pretty much nothing, and knew I had to think about it sideways to get the job done.

There are two ways I know to think sideways, but they involve the same prep work.

1. Focus on the problem. And that’s more than “why don’t I love this?” It’s a whole string of Q&A, as many Q’s & A’s as you can think of. “Why don’t I love this? What should this scene be achieving? Where do I think it falls short? What are its strengths? What else do I want to happen here? How do I want to feel when I read it? What does the heroine feel? Could I increase her emotional stakes, make the scene more of victory/defeat/revelation than it already is?” etc. etc. etc.

The more questions you can ask and answer, the more fuel your brain has for its magic. The more specific you can be, the better your brain magic will work. What you’re doing is defining the problem, and looking at it from as many sides as possible can only help.

2/ After that, the two variations aren’t that different.

For dreaming brain magic, you do this Q&A right before you fall asleep. In fact, you lie in bed and think through all these variables UNTIL you fall asleep. 99% of the time, you will either dream of the answer or have an AHA! moment in the shower the next morning.

This one really feels like magic – remember that story about the elves who did the tailor’s work at night while the tailor slept? Dreaming brain magic is that kind of magic. It impresses the heck out of me every time.

For waking brain magic – which was what I did yesterday – you put the problem out of your thoughts and do something else. It’s imperative that what you choose to do is different from writing. Don’t do correspondence or promotion or work on a synopsis. Your brain needs a vacation to do its magic. And don’t call up a buddy to chat or get online. Your brain needs me-time to do its magic.

So what should you do? Cooking, baking, knitting, painting a wall, sewing drapes, dancing, walking, swimming, riding a bike – all of these are good activity choices for waking brain magic. They take you away from your desk and away from your writing and away from everyone else, too.

I often drive somewhere, preferably in the country. (Driving in traffic is too much like problem solving to work.) I look at the trees and the horses and the clouds and compare colours and shapes, as if there’s nothing on my mind at all. Yesterday – predictably – I drove to yarn outlet store and got seduced by a wool sale – that part was predictable! I played with the colours and the textures and the potential pattern, lingering over my selection. By the time I pulled back into our driveway, I not only had more stash but my brain had done its magic.

I knew what I had to do to fix the scene. Alakazam! BRAIN MAGIC works again!

Do you use brain magic? If so, how did you figure it out? If not, why don’t you give it a try?